"Keeping Watch"

9 x 12

I have a show opening at the end of July at the ArtPort Gallery at the Tallahassee Regional Airport. It is a great space that the Cultural Affair Commission has to promote art in Tallahassee. I applied last year for a solo show and they selected me. The work will be up from July until the end of September. I've displayed in the space before with another artist, but this time its just me. That's a big thing in the art world. There is a definite distinction between a solo show and a group show. So I consider it an honor.

Anyway, I had planned all along to do something with the theme of vanishing Florida landscape, but I decided recently to combine all of my St. Marks National Wildlife Refuge stuff together and exhibit those works. I'm trying to come up with a title. Right now I'm thinking . . . Impressions of the Refuge, Refuge in Color, A Refuge from __?___, St. Marks in Color, etc. If you have any good ideas let me know. The pieces are mostly big. I mean by that four 48 x 48s and one 48 x 60. I think this will look good because the space is big and is right on the corner of the main thoroughfare. So, here's your chance to name the show.

The painting above is of the St. Marks Lighthouse. It is on the refuge and sits next to a large live oak tree that makes it difficult to paint. Something about lighthouses though, people love them. Reminds me of the story my old preacher, Peter Lord, used to tell. (This is my version. He does it better.) The aircraft carrier was the largest and most deadly ship on the ocean. It was three football fields long. It had a nuclear engine. It was heading to port in the dead of night at full speed. As it approached it noticed the lights of another ship heading directly towards it. The captain called the messenger and and he signaled to the approaching ship this message: "This is the aircraft carrier approaching, change your course." The reply from the approaching light was "we will not change our course". The captain sent another message. "This is the aircraft carrier. We are the largest ship in the ocean. Change your course." The same reply was received. "We will not change our course." The captain yelled his response to the signaler. "This is the aircraft carrier change your course or we will be forced to run over you." The reply: "This is the lighthouse. We suggest you change your course." I don't know what this has to do with this painting, or remember the point in his message, but I like the story.

Thanks for looking.

"Down at Orange Lake"

16 x 20

A scene from the Evinston Paint Out from last year. What is it about flat fields and cows? Probably more than anything I love this view of the water. It's downs there behind that veil of trees and its a beautiful hot still lake. That's what I'm aiming for. Did I get there?

At my last paint out I was told by an artist, who is really good and I respect, that my compositions were . . . something like "different". I can't remember the exact word. But I remember thinking "that's good, right?" And there was no question he meant it as a compliment. As an artist you definitely don't want to look like everyone else, but you also don't want to look like crap. There are certain 'conventions' that are supposed to be followed because if they aren't the painting usually doesn't work. So for instance, don't put the horizon line in the middle of the painting, don't put the center of interest smack dab in the middle. Stuff like that. So, there is this struggle. Make it look like something new and different, but don't do something stupid. Does that apply to this painting? Well yeah, . . . I mean I can hear the critique. You need a path down to the lake to lead the eye. The sky needs a bunch of clouds in an interesting pattern. Too many bands of color. But . . . all those things make a simple serene scene into something else. And . . . its my painting and I don't want to paint it that way. Hope you like it.

Thanks for looking.

Sun Going Down, Panacea

11 x 14

Ever felt like a wounded

soldier left in the field?

They're still shooting.

Better keep my head down.

Helps got to be coming.

No, . . . .

I think they're at Disney World.

Thanks for looking.

"Shady Spot"

16 x 20

It's been a busy couple of weeks. The last post was days before the Chain of Parks Show in Tallahassee. Total sales were very good. Plus I got to meet a lot of really nice people and talked with a number of people who had purchased my paintings at various places. They all had nice things to say, and thats really neat. And the last blog post painting sold.

The week after that I was in Winter Park for the Winter Park Paint Out at the Polasek Museum. Sales were also good there and although I had some problems getting started, I ended up having a really good week. I got to meet a bunch of really good painters too.

This weekend I taught my first class. A group of painters here in Tallahassee meets once a month and they had asked me to demonstrate/teach. I have been thinking about doing this for a while. With all the kids stuff going on I never could find the time, but now with all the kids in college I decided to give it a try. And . . . I had a great time. The painting above is from the class. I decided to do a larger painting than I should have tried (just because of the time involved in covering a bigger canvas). But I think I was able to work it far enough to give some idea of how I do things. I spent about another hour and a half yesterday fixing things I needed to fix. For those who were there I will let you know what I did:

1. I refined the cows. Just added little things that definitely identify them as cows. Like the faces and the ears and a couple of profiles.

2. I added more definition to the leaves in the tree that are closer to the viewer and softened and cooled the edges of the leaves in the back.

3. I removed one branch that I thought didn't work with the anatomy of the tree. (Scraped it off and painted over with sky color.)

4. I added a cool green in the front of the cows to represent the shade.

5. I redid the cow in the front with the light hitting it to punch it up and capture the shape of the light. (all of the these changes were made either over top of thin paint or by scraping away paint and repainting).

I like it. I said before I started I wanted it to be about the hot ground in front and the cool under the tree, and I think I got close to what I wanted.

There are some really good painters in the group and I hope I didn't mess them up with my suggestions.

Thanks for looking.

Stripes

8 x 10

Late last year I rode the Spaghetti 100, a 100 mile bicycle ride through North Florida and South Georgia. Even though it sounds painful, it was really fun and challenging. (I actually let my ego get to me and rode with some youngsters who ended up taking a wrong turn and we ended doing the Spaghetti 118. That last eighteen was tough!) Well, one of the benefits is that you get to see 100 miles of beautiful country. It is mostly farms and fields. I drove the whole 100 again the next morning (in my truck) and took some photographs of the memorable sites. This field was near some cotton. It had been turned and had these neat stripes. It basically painted itself. And it sold this weekend at the Chain of Park Show. The was a great time. Talked with a lot of nice people who said nice things. It's always good to get feedback.

And next week I will be at the Winter Park Paint Out in Winter Park, Florida. It's at the Polasek Museum and is a benefit for the museum. So if you are in the area call me, or email me, and I'll let you know where I am painting that day and you can come and visit. I am looking forward to a great week.

Thanks for looking.

Out for Oysters

8 x 10

This weekend I will be braving the elements at the annual CHAIN OF PARKS ART FESTIVAL in downtown Tallahassee. Its on Park Avenue and I'm in tent number 27. The weather looks great for Sunday and iffy for Saturday, so I'm keeping my fingers crossed. I have a lot of new work including the one above, so come take a look. All else fails there's kettle korn!!!!!

See you there. Thanks for looking.

I'm going to Disney World!!!

I will be painting Friday, Saturday and Sunday at Epcot at Walt Disney World in Orlando (March 25-27). I was invited to be part of the Epcot International Flower and Garden Festival. You know how Disney is always doing a show. Well, in the spring they bring in tons of different flowers and they have artists doing plein air paintings as part of the presentation. The cool thing is Disney puts the artists up in one their hotels and gives day passes to the artist and a guest. So . . . if you haven't been to Epcot in a while, (or you have one of those year passes that you haven't used enough) head on out to the England section of Epcot and look me up. We'll have some fish and chip together!

"Lake Ella Sky"

11 x 14 (plein air)

Lake Ella is a great place to paint. This was done on a Saturday morning last year. One thing about Lake Ella is there are always a bunch of people. I'll probably paint there this week to get use to being around people while painting. That's always a challenge. Obviously, Disney World will be a different kind of challenge. But I can usually pull off a flower painting without much struggle. (Knock on wood.) Hope to see you at Epcot.

Thanks for looking.

Beach Fun

5 x 7 (plein air)

Just a sketch from the week at Palm Beach. I also did an 11 x 14 with this same composition. I'm just trying to get it right the first time. Quickly. No 'messing with it'. Put down the brush stoke and leave it alone. You wouldn't believe how much discipline that requires. But actually, one thing that you learn after a lot of practice is that it is possible to wipe out a small section, or a person, or a horizon line, and hit it again with that one stroke that works. There you have it. A secret that took me a long time to learn, and you just got it in one paragraph. If it was only that easy!

Thanks for looking.

"Turning Point"

16 x 20

I don't want to be melodramatic, but one of my babies is leaving. Not my real kids. One of my paintings. Sometimes you feel that way as an artist. Getting paintings sold is kind of the point. Most times it's an easy process, but there are some paintings that you really like and when someone expresses interest in one of those paintings you have to pause and think. This paintings is one of those. I have a lot of memories of State Road 46 and the drive from Titusville to Lake Harney. This subject is seemingly a very simple, flat part of Florida, but there is so much there. It's constantly changing based on the water levels. It has distance. Vastness.

This painting is called "Turning Point", not for some deeper meaning. Actually, my Dad use to own and fly a Cessna 182. When he saw this painting, he explained to me that this stand of palms in the middle of the St. Johns River Valley was used by pilots flying a pattern at Dunn Airpark in Titusville. When you got to the palms you turned back to the airport. Turning Point.

How much longer will you be able to look out across this vastness and see nothing but nature?

"Turning Point" is going to a nice home in Jacksonville. A couple who already has a painting of mine wants another, and they love this one. Repeat customers are the best. It has to mean you must be doing something right. So you pack up the painting and ship it off because you realize that if someone else can enjoy something you created, its a good thing to let it go.

Thanks for looking.

Two and a Half

11 x 14

"Two and a Half" because this is at the two and a half mile mark of our local cross country course. My kids ran cross country at their high school. They had a great coach who demanded a lot of commitment to the sport. He was very demanding. Anyway it just so happened that their ages resulted in my involvement with Chiles Cross Country for ten straight years. During that time we won five state championships. It was a blast!!

We had a great cross country course at the Miccosukee Greenway park in Tallahassee. It was picturesque and challenging. Almost every time I went out there I would see a painting. This is just one of those vistas that a normal persons looks at and just passes over. Me, . . . I look at the value changes and the color and try to figure out an interesting composition and a way to get into the painting. (It's a curse sometimes).

Thanks for looking

"Sliver of Morning"

8 x 10 (plein air)

Early morning sunrise, Lake Weir, week after Christmas. Smell the coffee. Feel the warmth of the cup. Hear the muffle of cars behind me rolling down CR 25. A slight layer of fog rolling up off the water. Stillness otherwise. Just stillness.

Thanks for looking

"One Masterpiece, One Painting"

16 x 20 "Gadsden County Morning"

Here's the painting. Morning shadows fingering across a hay field in Gadsden County. . . . . And below is the masterpiece. My first grandson: Camp Macauley Andrews. Born Sunday January 30 at 12:21pm. 8 lbs 14.4 oz. Mom and Dad and Camp are all doing great. Granddad and Grandma are doing fantastic!

Camp Macauley Andrews

Thanks for looking.

"Heaven's Morning"

11 x 14 (plein air)

What I said here: http://steveandrewsart.blogspot.com/2011/01/sunrise-new-year-8-x-10-from-lake-weir.html

Ditto.

Just another day in paradise.

Thanks for looking.

"Power Lines"

8 x 10 (Plein Air)

Does every painting have a story? Today is an experiment. I randomly and blindly selected this painting from my computer file of completed paintings from 2010. The reason for this random selection was related the reason for this blog. Believe it or not, this is post number 407 for this blog. That's a lot of paintings and a lot of writing. What do you make a blog about? That's a giant question. It goes to that core issue that is the best explanation for why there are times when I don't post for a while -- who really cares and why are you doing this?

I've had some recent feedback from people (most related to me in some way) who indicate that they like to check out my blog. So I thought I need to be more regular in my posting. But what do you post about? So this was my contention -- every painting has a story. Just tell the simple story of the painting, and testing the proposition I randomly selected this one.

I painted this from Bird Island. The island in the painting is not Bird Island. In fact I can't remember the name but it is privately owned by family members of the owners of Bird Island. I thought the electric lines were interesting, both for their compositional importance and for idea of this isolated island that survives on a lifeline of electric current. The tide was coming in and the islands around the poles were quickly disappearing. Not my favorite painting from Bird Island, but does it have a story. I don't know. Does it?

Thanks for looking.

Beach Daisies and Palm

14 x 11

One of my best trips last year was a weekend trip to Bird Island off Horseshoe Beach on the west coast of Florida. Horseshoe Beach is just north of the where the Suwanee River enters the Gulf and south of Steinhatchee. This is a very isolated area of Florida. It's a lot more of a forgotten coast than the actual "forgotten coast" up here in North Florida. Bird Island is a small island (maybe two arces) which lies about a half mile from Horseshoe Beach. It is privately owned. I was invited to come paint for the weekend during October. It was glorious. The owners have a neat two story home and we threw cast nets for mullet and ate great meals and were treated like royalty. The island was built up by the Indians that inhabited the area. They had a collection of artifacts such as arrowheads, pottery shards and even human bones. When the hurricanes came through in 2005 they had whole skeletons uncovered in the tidal flats. (Makes for an interesting thought as you are nodding off to sleep. Brought to mind the movie "Poltergeist", but I was so tired it didn't matter.)

Looking at the sunset. From the dock you could watch the sunrise in the morning and the sunset in the evening. I did 5 x 7's of both.

View of the island coming from Horseshoe Beach. Theres's an umbrella there near middle of the photo. If you look close it is one of the artists already painting away. Anyway, it was truly one of those trips I've heard other painters talk about and thought "I wonder when someone is going to invite me to something like that?" So be advised that if you can one-up this trip I am ready and available to accept your challenge. My new slogan: Have pallette, will travel!

Thanks for looking.

"Ahhh . . . Punkie"

11 x 14 (plein air)

This is another from Canaveral Paint Out. This is near Eldora House. As I understand it, when the government bought the owners out to make it a wildlife refuge, one option was to have a life estate to the original owner. This means that the owner could stay in the house but when he or she died it would pass to the government. This was one of the last boat houses standing from the original owners. After letting all of them fall in the water, the park service finally decided to save and restore this one. I painted it from the dock at Eldora House.

One really cool thing happened while painting this one. There was another painter on the dock and at one point she was talking with an elderly man. She mentioned that she was from Orlando and he said that he had grown up in Orlando and even went to the how-closed Orlando High School. I guess this part of the conversation caught my ear and when he walked over to me I told him that my parents had both attended Orlando High School. He asked their names and I said "Dick Andrews and Mary Dettmer". He got a big smile on his face and said "ahhh . . . Punkie". (That was her nickname and her grandmother name for my children.) He had been best friends with my dad's oldest brother. We told some stories and he confirmed most the crazy ones I had heard. He had nothing but good things to say about Punkie and all of the Andrews. It was neat.

You never know what you'll find when your painting. Its a small world.

Thanks for looking.

Canaveral Palms

5 x 7

From Canaveral Paint Out. I'm a sucker for the view across the water. This is a little 5 x 7 sketch. This was done after the quick draw at the Eldora House. Eldora House is a renovated home that is used by the wildlife refuge as a small museum with artifacts from the area. This is a really beautiful area. If you are in the area you should visit it. Canaveral Seashore National Wildlife Refuge was purchased by the federal government when the area was selected to house the space program. If you look at a map of Florida there is cape about half way down the east coast of Florida. That is Cape Canaveral -- now called Cape Kennedy. Because it was taken over by the government it was not developed like the rest of Florida. All of the area has been protected. The part north of the space program is a National Wildlife Refuge. This fact had an enormous economic impact of the town of Titusville where I grew up. Unfortunately, that impact has been negative, at least compared to other similarly situated Florida cities. Economic times are really tough now. The space program is being phased out and jobs are being cut. There is very little tourist industry in Titusville. Thirty of forty years from now the wild refuge will be a major asset for the area, but that doesn't help if you are unemployed. How do you create an industry around viewing wildlife? Maybe thirty or forty years from now people will rather see an unspoiled beach and wetland and wildlife than ride the E ticket rides at DisneyWorld. I guess we'll see. If you take a trip to Florida, go visit and see what you've been missing.

Thanks for looking.

Sunrise - New Year

8 x 10

From Lake Weir. Among the best things to happen in our family this year was the purchase of a lake house on Lake Weir in Central Florida. If you've been following this blog for any time, (yes, all three of you) then you know that my wife's family started going to Lake Weir every year for a week of summer vacation when she was just a child. Our family has continued that tradition. We haven't missed a year. About five years ago my wife's sister's family bought a place on the lake. It's was right on the same street we stayed on all these years.

One of the realities of vacationing at the same spot over many years is that you see the area grow and the prices of real estate escalate. Until about two years ago those prices had reached astronomical levels. Last summer after returning from vacation I bookmarked a couple of sites that had listing of Lake Weir real estate. In October, I found a house listed that was three houses down from Aunt Dina. Through a lot of tribulation, things worked out and the deal closed in November. I got to spend the week after Christmas there, and I woke up every morning early watching the sunrise, and drinking coffee, and painting. This one is looking east across the lake. It is a heavenly place. (Is that sacrilegious?) My goal is to make paintings that communicate that heavenliness. (Is that hokey?) It won't be easy. I have my own limitations. It is flat Florida . . . a stripe of water, a stripe of land, and a stripe of sky. But I know I am going to enjoy the challenge. Stay tuned to find out.

Thanks for looking.

Slice of Green

16 x 20

I told you I painted a bunch of paintings this year from State Road 46 near Titusville. It's a lot of open space with all kinds of non-human life for as far as you can see. This is near Hatbill Park (I think thats what they call it). No telling how many alligators there are per square foot. When I was growing up the alligator was an endangered species and was protected. Now there are so many around Lake Harney that I'm not sure its safe to swim anymore. That's a big change. I remember one day my brother Rick took a shot with my bb gun at a small one that had surfaced in front of our cabin. It was a pump bb gun, but you could pump it up pretty good. I guess he hit just right because it went down and about five minute later it surfaced right in front of our beach and walked right up on the shore and just laid there. I remember it being only about three feet long and we turned it over on its back and rubbed its belly and it went to sleep just like they show on TV. After a couple of minutes it regained its sanity and started hissing and walked back in the water. That was the last time we shot at one.

"Slice of Green" is across that marsh grass that holds all those animals. Palm trees claim any area of high ground and the grasses spread out like carpet. There are so many different colors and sometimes the sun hits an area of grass just right. It seems to glow. That's what I'm aiming for here. Dull grayed colors in the trees, grayed almost lavender sky and a slice of screaming yellow green. That's what I saw.

Thanks for looking.

Orange Lake Overlook

16 x 20

One of the events I participated in this year was the Evinston Paint Out. Evinston is just south of Gainesville off of Highway 441. I stayed down on Lake Weir and drove up in the morning using 441. Just south of the town of McIntosh there is spot where the road crests a hill and you get a great view of Orange Lake. This particular morning the sun was rising and the fog lifting. I had to stop and take some photos. This was done in studio right after the paint out. If I do the paint out again next year I will just set up my biggest easel right there on shoulder of 441 and paint a big one. I wonder how that would work out? Anyway the whole area is just beautiful and I had a great time painting and meeting the people. It was one of the best weeks of painting I had all year.

Thanks for looking.

Field Corner

20 x 16

The day after the Blue Line 100 (a bicycle century run through North Florida and South Georgia), I took a ride in my truck along the route and took some photographs of the scenery. Fog was lifting and the land was being turned for the new season. I like the colors, but it's about the light and the quiet.

Thanks for looking.

"Fog and Palms"

16 x 20

This one is part of the State Road 46 series. It's a "blue road" that cuts across central Florida. I drove over to Winter Springs from Titusville during the summer to take my daughter to a road race. We took State Road 46 and I took my camera because I knew we would be traveling through the land of palm hammocks and the St. Johns River valley. I have ended up doing a bunch of paintings from photos taken that morning. It's a good rule to paint what you know and what you love. Even if no one else likes it, at least you'll like it.

Thanks for looking.

"Sailboat on Mosquito Lagoon"

5 x 7

From Canaveral Seashore Paint Out. Great time down in the part of Florida where I grew up. This is looking across Mosquito Lagoon from the beach. The lagoon is a very large and very shallow body of water. It is one of the best places to catch Redfish in the world. On the far west side of the lagoon the intercoastal waterway run to Haulover Canal and from there to the Indian River. This sailboat was heading down the intercoastal channel with a stiff breeze. The sun was setting. I was back in my home country. Life is good.

Thanks for looking.

"Eastpoint Morning"

30 x 40

Hey. Still here. Still painting. I get a F on the promotion part of art. Just too many other things going on, and I decided painting was more important than showing. One time stealer this year has been exercise, which is good. The form of exercise is almost exclusively biking. Mountain biking and some road rides. At least five days a week. And if you know me, you know that I can't just do something, I've got to really do it. So this year I have participated in four mountian bike races (even winning a couple) and two centuries (100 mile bike rides). Anyway less time for everything else. But with painting I am trying to focus on quality over quantity. I recently took a bunch of photos of the years production so check up on the blog and I promise to post more.

This is from a photo taken during one of my coast trips. Got up early and got the sun rising in Eastpoint. These are oyster boats. Colors are mostly mine. These are commercial boats and the life of an oysterman is tough. These docks aren't made by a carpenter. They are just put up with whatever log is available. I used some artistic license to move the eye around. And played with the sun and the clouds or fog or whatever you want it to be. It's moody, at least that's what I was trying for so I hope it is.

I'm still here and I've had a good year. [Don't tell anyone. I like to keep it quiet.]

Thanks for looking.

"Cattle Guard"

8 x 10

From the Evinston Paint Out. This was done on the last day and was so wet I never even put it up. That is an interesting thing about paint outs. What do you do about the really wet paintings? What do you do about people leaning against them? (Sir I'd like to frame your shirt.) What do you do about paintings sticking in their frames? (Permanent framing solutions.) What do you do about bugs and grass and leaves? ("I've just started experimenting with mixed media").

I like this painting. There is a lot going on, but there was hundreds times more going on in real life. I am finding simplification to be more and more the most important part of good plein air painting.

Thanks for looking.

P.S. Just a reminder that I will be attending the Canaveral Seashore Paint Out next month in New Smyrna Beach. It is the week of November 7 through the 13th. It is a benefit for Canaveral Seashore and here is link to the website: http://canaveralseashorepaintout.blogspot.com/ I will be there painting all week long.

"Where I Ride"

8 x 10 (plein air)

"Where I Ride" refers to where I ride my mountain bike most of the time. I am very lucky to live in a neighborhood that is next to a state park. That state park had property given to it that is full of singletrack and doubletrack trails. I can leave my house after work and ride through miles and miles of trails without repeating anything. It's great exercise for me because it doesn't beat up my knees like running does. (Although crashing on a mountain bike (which is not an unusual occurrence), can certainly make sore knees look inviting). I have stuck to this form of exercise, at least 5 times a week, for going on two years. I felt in good enough shape earlier this month to enter a mountain bike race over at Tom Brown Park. The race was part of the Florida State Championship Series with racer from all around the state participating. There were numerous categories, and the one I fit in was the 50 plus grand masters in the "base" level. (Three levels: Expert, Sport, Base) I was lucky to win my race against 16 other similarly categorized riders. Yeahhhh!

So this painting is from a field at Phipps Park near the Red Bug trail. I painted it earlier this year standing out in the field on a Sunday afternoon. If you head over this hill and follow this path it spits you into the woods with a nice descent through a couple of rough trails. The key is to get some speed and then get up on the petals for balance and hold on (but don't grip the handlebars too tight or you will be wondering whether its better to have sore knees or numb hands).

Thanks for looking.

"Contours"

11 x 14

I keep painting this stuff. I guess I was always fascinated watching rows go by as I drove in the back seat of the car. Rows of orange trees, rows of planted pine trees, rows of nursery plants, rows of crops. I am easily amused. Does anyone else do this?

Thanks for looking.

"Couples"

8 x 10 (plein air)

Painted at Lake Ella which is small park in downtown Tallahassee. There is a loop around the lake that is slightly more than a half mile. Almost any time of day there are tons of walkers exercising or cruising around the lake. I like to paint there. It's always challenging and there are lots of friendly onlookers. Perhaps the biggest issue in plein air painting is editing. When you paint outdoors you have to simplify. Everything is right in front of you. The whole wide panorama. What do paint and what do you leave out. Here, in reality, there are multiple bushes, walkers, ducks, and trees. In the background there is a four lane road, cars, a restaurant, and a helicopter. (Yes, no kidding -- a helicopter). So you change things around and keep the central idea of a path around a lake with a couple walking. As I was finishing this a white duck swam up and I added the ducks as a balance for the composition. KISS. Keep is simple stupid. I like it.

Thanks for looking.

"Sparkle"

14 x 11 (plein air)

This was painted under the bridge to Singer Island while on vacation last month. The bridge is one of my favorite places to paint. One thing you must consider when painting outdoors is trying to figure out how to get your canvas and palette out of the direct sun. Being in the sun makes it really hard to judge values and colors. It is also really hot in the sun. So there is this great little park under the bridge with sailboats anchored close by and lots of people swimming and enjoying the gentle ocean breezes. My wife calls these paintings “boat butt” genre. I can’t help it that the tide flows the way it flows. Here I’m trying to concentrate on the color of the water and the sparkle of the light in the reflections. Hope it worked.

Thanks for looking.

"Palm Beach Pumphouse"

11 x 14 (plein air)

I did this one during the annual family vacation to Palm Beach. I write "Palm Beach", but I should actually write Singer Island. It is Palm Beach Gardens and it is really nice. This is what we call "the pumphouse". It is at the jetty on the Singer Island side. The pipes that run into the wall of the jetty actually go all the way across the channel to the other side and move sand from Singer Island to Palm Beach. It has something to do with the jetty messing up the natural flow of the current and the sand. Anyway, it is a giant "thing" and it is not easy to paint. Its like a big cube that doesn't belong in the picture. I decided to tackle it this year and I like how this came out. I also decided to work on putting more figures in my landscapes and I was able to do that here and also in some other pieces I did during the week. Here, I think the figures are essential. The two guys on the catwalk were workers from the county. After I started they turned the pumphouse on and opened the doors. They stood up there talking about something. (I'm sure it was work related.) One of the gentlemen was retiring from the county and had been in charge of the pumphouse for a number of years. He asked about the painting, but I forgot to get his name and number before I left. This would make a nice retirement gift. Maybe I should do some research.

Thanks for looking.

"Office Conference"

48 x 48

Yeah, I know its been a while. You know summer. Hard to find time for anything but play. One of the least productive times for me is around sporting events. I don't need much of an excuse to watch a game. The last couple of months have had a bunch of games. The NBA playoffs, College World Series, Wimbledon, and the Tour de France. And have you been keeping up with "Deadliest Catch"? I am a sucker for that show.

So anyway, I have been painting, though not as much as my usual output. I have kind of been stuck. Sometimes stuck can be good. Means you might come up with something better.

This one is from last year. It is big. From St. Marks. I added the birds later. I thought the composition needed something extra. I love those crows. I think they run the world.

The title is a reference to their office. Nice place.

Thanks for looking.

"Wild and Not Wild"

16 x 20

Another in the line of South Georgia/North Florida rural out-of-your-car-window paintings. Really, this is new genre. I said it first right here. Fact is, there probably is someone who has already said it and done it. He or she probably already had a big show. ("The World in Paint From the Window of my Model A Ford").

This is one of the problem us artists have. We want to have a unique voice. We want to be fresh. We want to be different. (We also wonder who's winning the Lakers/Suns game, but we don't say that out loud.) So how can you be different when humans have been painting since the Lascauw (sp ?) caves. (Caveman voice: Did you see Korg's deer? Looks, just like one I did last new moon. Him copysabertooth.)

Yeah, I can joke, but the truth is this bugs me. I consider myself pretty creative. Why can't I come up with a totally new look, or subject, or composition. Something. Well, I'll just keep painting. One day a blind pig . . . .

Oh, this painting really is from the window of the car. I love the conflict of wild and tamed. The trees are going wherever they can to find sun, and the farmer is planting to maximize production. I just think there is something cool about that. Anyway . . . keep looking. You too may find that acorn.

Thanks for looking.

"Looking Down"

36 x 36

Why do we do what we do? Don't expect any answers. I don't know. I spend a lot of time and mental energy doing this painting thing. For what? Cash? No I dont' think so. Strokes? I don't get too many. A desire to leave a bit of yourself for future generations? Not sure about that. I'm probably leaving more trash than treasure. A sense of accomplishment in mastering a thing? When do you get that sense. Even the supposed masters didn't have that. Cause you want to? Too simple, only restates the question and provides no answer. It's fun? Oh yeah, I forgot.

So here's the message if you're reading this because you think this guy knows something, or paints a decent painting, or if you're checking in on your favorite emerging artist (at 50, emerging yeah) -- Confidence is a tenuous thing. Sometimes its there. Sometimes not. Just pick up the brush and do something. Because? It's what you do. You can't think about not doing it. It has infected you. It will not go away. Might as well try to get good at it.

This painting is from a photo I took at Crescent Beach. I'm almost positive it was just a misfire on my camera. Going through my files it struck my eye. Simple but lots in it. Colors and textures. On one of those days I just thought 'what the heck'. Pick up the brush and lets do it. It might be trash or treasure. Not sure. But it does make me smile.

Thanks for looking.

"Across the East River"

36 x 36

View from the St. Marks Wildlife Refuge looking west across the East River to the St. Marks River. This is a beautiful place. I think the small islands were made when the channel was dug. The St. Marks channel comes out just on the other side of those islands. This is also a great place to fish. The East River is fabulous place to catch a redfish or a trout. I am just trying to paint the space.

Thanks for looking.

"St. Marks Dusk"


18 x 24

This is the view from the boat ramp at St. Marks Wildlife Refuge. I waited as long as possible to leave because the light was great. That same trip as I was leaving I saw a giant hog near the entrance booth. He was a monster. I took a photo and his body was more than half way across the one lane.


(You thought I was kidding?)

I had another encounter with hogs at St. Marks one morning a couple of months ago. I had gotten there early before sunrise and was painting with Chuck Manning, another plein air painter from Tallahassee. As the sun rose I started to hear hogs waking up in the bog across the canal from where I was painting. They were grunting around obviously looking for food. Every once in a while, one of the hogs would find something and then there would be blood curdling scream as the other hogs tried to take what the one had found. My mind thought back to the big guy in the road. I would glance at Chuck to make sure he felt that we were safe, and he contiunued to paint contently. Nothing to fear. As the hogs moved farther away I yelled at Chuck to comment on the hogs and he stared at me blankly. Then he pulls an ipod headset out of his ears and asks "what"? That made me feel safe.

Thanks for looking.

"Bait Bucket"

22 x 28

From a photo taken at Canaveral National Seashore. The surf was up that day. A lot of white bright color. A lot of motion in the water. Not easy to see in this photo, but it is there. This one should be at the Chain of Parks Show this weekend. See you this weekend. Keep your fingers crossed for the weather.

"Slow down today, enjoy what you have."

From the inside wraper of the Dove Chocolate I just enjoyed.

Thanks for looking.

"Starting the Day"

18 x 24

Here's a new piece that I think will be in the Chain of Parks Show. I like it. I like it's simplicity. It's interesting to put out new work. I posted some new stuff on facebook and one of the face to face comments (not computer generated) was essentially 'I wish you would put up some of your nicer stuff'. Ouch. It reminds me of the famous "shrinkage" episode from Seinfield. (No not for that reason.) In that episode one of the side stories is about the ugly baby that the parents are proud of and the doctor (who Elaine is interested in) calls 'breathtaking' (after he says the same thing about Elaine). But the parents believe the baby is perfect. That's the same with artists. Our works are our babies. Sometimes we can't see them with an unbaised eye. Or maybe they are just perfect, but there is a different one that someone else sees as more perfect. (I'll choose to take that comment that way.)

Thanks for looking at my ugly babies.

"I-10 Near Madison"

5 x 7 Postcard Series

It is going to be a busy April. I am going to participate in the Chain of Parks Art Festival here in Tallahassee on April 17 and 18. It is a traditional outdoor festival so hopefully the weather will cooperate. It takes a lot of work to get ready. Picking out peices, ordering frames, all that stuff. But I am really looking forward to it. It's a benefit for the Lemoyne Art Center so come check it out. Plus they have kettlecorn!

Then the next day, April 19, I start a week long paintout in Evinston, Florida. Evinston is a tiny town south of Gainesville just off of 441. I drove through this weekend to check things out. I like the area. It is definitely that old Florida feel. Heres a link to the website: www.Evinstonpaintout.org Come check it out if you are in the area.

Thanks for looking.

"Highway 20 Sky"

It's my painting I can change it if I want to. The version above is the latest. I wanted to make the road a little more interesting and break up the mass of trees. It worked I think. (If I didn't think it worked I would have gotten rid of it.) What do you think?


16 x 20

I take regular trips to Panama City in my other business. I think the fastest way from Tallahassee is on State Road 20. It's a two-lane trip right through the middle of rural North Florida. There are a lot of acres of planted pines and scrub oaks. If you have driven it enough times you remember previous views that are now obstructed by rising pine trees. This is one of those areas where the trees were harvested and not replanted. Its a different kind of composition. I want to believe that it is not bad to be different.

I was reading one of my favorites blogs by a successful artist and he explained that people don't want to visit your blog just to have you talk about your art. They want instruction or something. Unfortunately, that assumes I have some gem of instruction. Since I don't, and since I'd like people to visit I've decided I would try include gems of instruction from other artists. Like a hall of fame of meaningful quotes. That way you can be assured of finding something worthy when you visit.

This one is from Robert Henri. He is a famous American painter and teacher.

"A landscape has got to mean a great deal to anyone before it can be painted in any worth-while way. It is harder to see a landscape than to paint it. This is true because there are lots of clever people who can paint anything, but, lacking the seeing power, paint nothing worth while."

From The Art Spirit page 209

Hmmm? When I read something like this I wonder where Professor Henri would come down on "Highway 20 Sky"? Am I seeing? Or, am I clever?

Thanks for looking.

"Morning Haze"


14 x 18

This is St. Augustine Light from Vilano Beach on a hazy morning. I really like this one. I like it's simplicity, and I also like it's complexity. After painting it I thought about making that idea my trademark. You know, like Thomas Kincade is "the painter of light". (Okay don't get me started). Well my trademark would be "the painter of subtle complexity" or "the painter of the subtley complex". (I'm working on it). It is sad that in today's world you feel like you have to be better at marketing something than you are at doing something. But anyway, back to the painting, it's just a strip of land, some depth, a lighthouse and a reflection. Does it need more? It's my painting and that's all your getting. If you want birds and clouds, a bouy and a sailboat in the foreground set your GPS for Vilano Beach inlet and take your canvas and paints. When I was there that day . . .

Thanks for looking

"At the Dock"


24 x 30

This is a large painting from a photo taken in Apalachicola. It's a great coastal town on the "forgotten coast" of Florida. Still has a lot of fishing industry there, with shrimpers and oyster boats. I took a trip down there a couple of weeks ago. Got some great photos. Also got a fabulous basket of fried shrimp at the Market Street Grille. This painting was about 95% done and in my office for about six months. I didn't like the lower water reflection and changed this up recently. I like it better now.

Thanks for looking.

"From Guana"


11 x 14

The is from a photo I took during my afternoon at Guana State Park just south of Ponte Vedra. This is that cypress/juniper (?) stuff. I like these trees because they have nice gnarly branches and a great deep olive color.

There is a lot of life between where I'm standing and that line of trees in the background. One of the cool things about being out in the outdoors while painting is all the neat sounds. As the tide was either coming in or going out (I'm not sure which one) I started hearing all these clicking sounds. I think it might have been oysters shutting. It was like a wave coming across the marsh. Is that possible?

Thanks for looking.

"Red Truck"

20 x 24

More in that theme of rural scenes of everyday life. "If a tree falls in the forest, and nobody is there . . . If a slant of light hits an awning just right, and nobody is there. . ." These are questions for which I have no answers.

Thanks for looking.

"St. Marks Morning"

5 x 7 (plein air) postcard series (SOLD)

Painted on an early Saturday morning in November. "Early bird gets the worm" as the saying goes. This was painted with the crys of wild hogs rising from across a ditch nearby. They too were looking for the worm, or whatever it is that wild hogs eat.

Thanks for looking.

"Storm Coming"

5 x 7 postcard series

Sometimes it really does look like this mass of darkness pushing forwards and getting ready to engulf the lake. That contrast of sunlight on treetops and dark fury behind is magical. You have to paint fast when one of these is coming.

Thanks for looking